Close Of Day
Close Of Day

2024, 9” h x 7” w, oil, graphite on Dura-Lar archival film

Pheasants' Crossing
Pheasants' Crossing

2024, 14” h x 17” w, oil, acrylic on Dura-Lar archival film.

This is Block Island!

Our Corner
Our Corner

2024, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Back Door, Back Yard
Back Door, Back Yard

2024, 24” h x 19” w, oil, acrylic, graphite on Dura-Lar archival film

Home For Now
Home For Now

2023, 14” h x 11” w, oil, acrylic, graphie on Yupo synthetic paper

Harbor Church
Harbor Church

2024. 14” h x 11”w, oil, acrylic, graphite on Yupo synthetic paper

Island Crossing
Island Crossing

2023, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Spent a week on Block Island last September, remembering that landscape, the light and color and that impossible puzzle!

Roma Norte II
Roma Norte II

2023, OIl, acrylic, graphite on Yupo synthetic paper.11” h x 14” w

View of Parque Espana from our apartment in Roma Norte, Mexico City.

Roma Norte I
Roma Norte I

2023, oil, acrylic graphite on Dura-Lar archival film, 17” h x 14”w

View of Parque Espana from our apartment in Roma Norte, Mexico City.

Across the Street and Back
Across the Street and Back

2023, 11” h x 14”w, Oil, acrylic, graphite, on Yupo synthetic paper

Looking South
Looking South

2023, 11” x 14” , oil, acrylic, graphite on Yupo synthetic paper

Isle Of Light
Isle Of Light

2023, oil, acrylic, graphite, ink on Dura-Lar archival film, 14” h x 17” w

This painting references our stay at Block Island last September. I tried something different: weaving tgeter two photos of outside view from upper bedroom including interior view of room. The light was spectacular!

Upstairs Out II
Upstairs Out II

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Our Day's End
Our Day's End

2023, 14” x 11”, oil, acrylic, graphite, ink on Yupo synthetic paper

Upstairs Out
Upstairs Out

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Looking North
Looking North

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Lincoln Woods II
Lincoln Woods II

2023, 17” x 14”, oil, acrylic, ink, graphite on Dura-Lar archival film

Lincoln Woods I
Lincoln Woods I

2023, 17” x 14”, oil, acrylic, graphite, ink in Dura-Lar archival film

Summer Kitchen
Summer Kitchen

2023, 17” h x 14” w, oil, acrylic on Dura-Lar archival film

The World Is Full Of Magic Things (after William Butler Yeats)
The World Is Full Of Magic Things (after William Butler Yeats)

2022, 14” x 11”, oil, acrylic, graphite on Yupo paper

SUMMER
SUMMER

2022, 14” hX 11”w, oil, acrylic, graphite on Yupo paper

I Would Be Ignorant As The Dawn (after William Butler Yeats)
I Would Be Ignorant As The Dawn (after William Butler Yeats)

2022, 17”h x 14” w, oil, acrylic, graphite on Dura-Lar archival film

Dawn II
Dawn II

2022, 17” x 14” , oil, acrylic, graphite on Dura-Lar archival film

Dawn I
Dawn I

2022, 14” x 11”, oil, acrylic, graphite on Yupo

Violet
Violet

2022, 11” h x 14” w, oil, acrylic on Yupo paper

Chimera
Chimera

2023, 10” x 8”, oil, acrylic , graphite on Dura-Lar archival film

Morning
Morning

2022, 14” h x 17” w, oil, acrylic, graphite on Dura-Lar

View from my front door in the rain.

Old Harbor
Old Harbor

2023, 10” x 8”, acrylic on Dura-Lar archival film

Stopping On Corn Neck Road
Stopping On Corn Neck Road

2023, 10” x 8”x oil, acrylic, graphite on Yupo

Self Reflecion
Self Reflecion

2022, 14” h x 11” w, oil, acrylic, graphite on Yupo paper

Mother & Child I
Mother & Child I

2022, oil, acrylic, graphite on Dura Lar archival film, 17” h x 14” w

Women and children, victims of war in Ukraine

Mother & Child III (Diptych)
Mother & Child III (Diptych)

2022, oil, acrylic, graphite on Dura Lar archival film, 14” h x 17” w

Women and children, victims of war in Ukraine

Mother & Child IV
Mother & Child IV

2022, 14” h x 17”w, oil, acrylic, graphite on Dura Lar archival film

A series about mothers and their children - victims of war. Here, a family who fled the Democratic Republic of Congo, lived twelve years in Malawi’s Dzaleka refugee camp. Now residing in Hartford.

Mother & Child II
Mother & Child II

2022, 14” x 11”, oil, acrylic, graphite on Dura Lar archival film

Women and children, victims of war in Ukraine. A mother and her newborn in a ravaged maternity ward.

Cobalt II
Cobalt II

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper.

This painting is part of a series about children mining for cobalt and other precious metals in the Democratic Republic of Congo.

Cobalt I
Cobalt I

2023, 14”h x 11”w, oil, acrylic, graphite on Yupo synthetic paper.

This painting is part of a series about children mining for cobalt and other precious metals in the Democratic Republic of Congo.

For The Women Of Iran
For The Women Of Iran

2022, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Eyasu + Daniel
Eyasu + Daniel

2022, 14”x 11”, oil, acrylic, graphite on Yupo

“My Heart Bleeds With You Ukraine"
“My Heart Bleeds With You Ukraine"

2022, 14” h x 17” w, oil, acrylic on Dura-Lar

Some of the symbols that are part of the Ukrainian culture: wheat stocks, Cossacks, cranes, and guelder rose "kalyna”.

I included the figure of Cossack Mamay an image of freedom, stability and immortality of the Ukrainian people.

Religion and churches are a big part of Ukrainian cultural life.

Pictured here is the Cathedral of St. Volodymer which is in the center of Kiev. I chose it in honor of President Volodymer Zelensky.

The World Was Not Worthy Of Them (from the Epistle of Saint Paul to the Hebrews CH 11:38)
The World Was Not Worthy Of Them (from the Epistle of Saint Paul to the Hebrews CH 11:38)

2022, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

Private Collection

Isn't It A Pity
Isn't It A Pity

2021, 17” h x 14” w, 17” x 14”

Oil, acrylic, graphite on Dura-Lar archival film

Arrival
Arrival

2021, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

August 31, 2021 ("history has its eyes on us" - Amanda Gorman)
August 31, 2021 ("history has its eyes on us" - Amanda Gorman)

2021, 14” h x 17” w, acrylic, graphite on Dura-Lar archival film

May 2021 ('The Loss We Carry' - Amanda Gorman)
May 2021 ('The Loss We Carry' - Amanda Gorman)

2021, 14” h x 17” w, acrylic, graphite, pen on Dura-Lar archival film

OLEAN STREET
OLEAN STREET

2021, 14” X 17”, acrylic, graphite on Dura-Lar archival film

1960 (Olivia + Megan)
1960 (Olivia + Megan)

2021, 14” h, x14” w, acrylic, graphite on Dura-Lar archival film

Count Every Vote
Count Every Vote

2022, 14’h x 17”w, oil, acrylic, graphite on Dura-Lar archival film

Showing Up
Showing Up

2023, 14” x 17”, oil, acrylic on Dura-Lar archival film

October 2021
October 2021

2021, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

July 2021, (The Ballot)
July 2021, (The Ballot)

2021, 17”h x 14”w, acrylic, graphite on Dura-Lar archival film

JULY
JULY

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

October 2020 (Fear and Loathing)
October 2020 (Fear and Loathing)

2020, 25” h x 38” w, acrylic, graphite on Yupo archival film

SIMONE
SIMONE

2021, 11” h x 14” , oil, acrylic, graphite on Yupo

August 2021  (Fathers & Sons)
August 2021 (Fathers & Sons)

2021, 17” h x14” w, acrylic, graphite on Dura-Lar archival film

June 2021 (Vaxx)
June 2021 (Vaxx)

2021, 14” h x 17” w, acrylic, graphite, pen on Dura-Lar archival film

November 2021 (Vivi & Oscar)
November 2021 (Vivi & Oscar)

2021, 14” h x 17” w, Oil, acrylic on Dura-Lar archival film

April 2021 (Waiting)
April 2021 (Waiting)

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

August 2021 (Back to School)
August 2021 (Back to School)

2021, 14” h x 17” w, acrylic, graphite on Dura-Lar archival film

March 2021 (School + Scarcity)
March 2021 (School + Scarcity)

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

November 2020
November 2020

2020, 36”h x 25”w, acrylic, graphite on Yupo archival film

School Hybrid I
School Hybrid I

2021; 22”h x 15” w; watercolor, graphite, pen on watercolor paper

School Hybrid II
School Hybrid II

2021, 22” h x 15” w; watercolor, graphite, pen on watercolor paper

January 2021, I
January 2021, I

2021, 13” h x 17” w, acrylic, pen on Dura-Lar archival film

Private Collection

February 2021
February 2021

2021, 17” x 13”, acrylic, pen on Dura-Lar archival film

December 2020
December 2020

2020, 13” h x 17”w, acrylic, pen on Dura-Lar archival film

January 2021, II
January 2021, II

2021, 17” h x 13.4” w, acrylic, pen, graphite on Dura-Lar archival film

Cat's Cradle
Cat's Cradle

2022, 11” h x 14” w, Oil, acrylic on Yupo paper

Jewel Box
Jewel Box

2022, 11” h x 14” w, oil, acrylic on Yupo

Lexington
Lexington

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Greta & Bruno
Greta & Bruno

2022, 17” x 14”, oil, acrylic on Dura-Lar archival film

Bodhi (Post Op) and Violet
Bodhi (Post Op) and Violet

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Sunday Afternoon
Sunday Afternoon

2022. 14” h x 17”w, oil, acrylic graphite on Dura-Lar archival film

A Broken-Winged Bird  (after Langston Hughes)
A Broken-Winged Bird (after Langston Hughes)

2021, 14” x 17”, oil on Dura-Lar archival film

December 2021 (Watching)
December 2021 (Watching)

2021, oil, acrylic on Dura-Lar archival film, 17” h x 14”w

Church
Church

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Rock Garden At Palamidi Fortress
Rock Garden At Palamidi Fortress

2019-2021, 14” h x 11” w, acrylic, graphite on Yupo paper

The Quality of Mercy
The Quality of Mercy

2020, studio. view, 72”h x 144” w x 66” d, acrylic, pen on Dura- Lar polymer film

The Quality of Mercy
The Quality of Mercy

2020, studio view

The Quality of Mercy, #1
The Quality of Mercy, #1

2020, 50” h x 50”w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #2
The Quality of Mercy, #2

2020, 31” h x 62”w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #3
The Quality of Mercy, #3

2020, 35” h x 49” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #5
The Quality of Mercy, #5

2020, 50” h x 34” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy #4
The Quality of Mercy #4

2020, 27” h x 39” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #6
The Quality of Mercy, #6

2020, 27” h x 40” w, acrylic , pen on Dura-Lar archival film

Culture of Cruelty
Culture of Cruelty

2019-20, studio view, 55” h x 74” w x 60” d, acrylic on Dura-Lar archival film

Culture of Cruelty, #1
Culture of Cruelty, #1

2019, 32” h x 49” w, acrylic on Dura-Lar archival film

Culture of Cruelty, #2
Culture of Cruelty, #2

2019, 50” h x 50” w, acrylic on Dura Lar archival film

Culture of Cruelty, # 3
Culture of Cruelty, # 3

2020, 40” h x 40” w, acrylic on Dura Lar archival film

Culture of Cruelty, # 4
Culture of Cruelty, # 4

2020, 40” h x 50” w, acrylic on Dura Lararchival film

Culture of Cruelty, #5
Culture of Cruelty, #5

2020, 45” h x 55” w, acrylic on Dura Lar archival film

Grounding Down
Grounding Down

2019, 61” h x 45” w; acrylic, crayon on Dura-Lar archival film

Simhamukha and Rudra Mudras
Simhamukha and Rudra Mudras

2018, installation at Five Points Gallery

Rudra  Mudra (for healing and energizing the body)
Rudra Mudra (for healing and energizing the body)

2018, acrylic, crayon on Dura-Lar,archival film, 74” h x 40” w

Simhamukha Mudra (for protection, to relieve suffering)
Simhamukha Mudra (for protection, to relieve suffering)

2018, acrylic, crayon on Dura-Lar archival film, 74” h x 40” w

Buddhi Mudra
Buddhi Mudra

2018, installation five Points Gallery

Prana Mudra
Prana Mudra

2018, installation five Points Gallery

Buddhi Mudra  (to balance the water element in the body and improve mental clarity)
Buddhi Mudra (to balance the water element in the body and improve mental clarity)

2018, 76” h x 40” w, acrylic, crayon on Dura-Lar archival film

Prana Mudra (to activate dormant energy within the subtle body)
Prana Mudra (to activate dormant energy within the subtle body)

2018, acrylic, crayon on Dura-Lar archival film, 70” h x 40” w

Gyan Mudra
Gyan Mudra

2018, installation five Points Gallery

Gyan Mudra (to direct energy and maintain focus), 2018
Gyan Mudra (to direct energy and maintain focus), 2018

2018, acrylic, crayon on Dura-Lar archival film, 74” h x 40” w

Private Collection

Gallery installation
Gallery installation

Detail, Five Points Gallery

Akash Mudra (to increase the element of space, or the cosmos, within the body).
Akash Mudra (to increase the element of space, or the cosmos, within the body).

2018, acrylic, crayon on Dura-Lar archival film, 70” h x 40” w

Aakaksh Mudra
Aakaksh Mudra

2018, Installation five Points Gallery

Gallery installation
Gallery installation

Detail

Gallery installation
Gallery installation

Detail

Tuareg Ceremonial Ring
Tuareg Ceremonial Ring

2015, acrylic, crayon on acetate, 48" h x 42" w

Red Mosque
Red Mosque

2017, encaustic , collage, on board, 12” h x 12” w x 1” d

Mirage
Mirage

2019, studio installation, 9’ h x 6’w, gesso, crayon on acetate

Sa-Ta-Na-Ma
Sa-Ta-Na-Ma

2018, encaustic on board, 12”h x 12”w x 1”d

State of Play
State of Play

2016, encaustic on board, 10” h x 10” w x 1”d

A Roundabout Turn II
A Roundabout Turn II

2014, collage, acrylic on board, 12” h x 12” w x 1” d

Heat
Heat

2015, acrylic, collage on board, 12”h x 12”w x 1"d

Palamidi Fortress
Palamidi Fortress

2019, acrylic, graphite on Yupo, 14” x 11”

Private Collection

Roman Reverie
Roman Reverie

2019, acrylic, graphite on Yupo, 11” x 14”

Close Of Day
Pheasants' Crossing
Our Corner
Back Door, Back Yard
Home For Now
Harbor Church
Island Crossing
Roma Norte II
Roma Norte I
Across the Street and Back
Looking South
Isle Of Light
Upstairs Out II
Our Day's End
Upstairs Out
Looking North
Lincoln Woods II
Lincoln Woods I
Summer Kitchen
The World Is Full Of Magic Things (after William Butler Yeats)
SUMMER
I Would Be Ignorant As The Dawn (after William Butler Yeats)
Dawn II
Dawn I
Violet
Chimera
Morning
Old Harbor
Stopping On Corn Neck Road
Self Reflecion
Mother & Child I
Mother & Child III (Diptych)
Mother & Child IV
Mother & Child II
Cobalt II
Cobalt I
For The Women Of Iran
Eyasu + Daniel
“My Heart Bleeds With You Ukraine"
The World Was Not Worthy Of Them (from the Epistle of Saint Paul to the Hebrews CH 11:38)
Isn't It A Pity
Arrival
August 31, 2021 ("history has its eyes on us" - Amanda Gorman)
May 2021 ('The Loss We Carry' - Amanda Gorman)
OLEAN STREET
1960 (Olivia + Megan)
Count Every Vote
Showing Up
October 2021
July 2021, (The Ballot)
JULY
October 2020 (Fear and Loathing)
SIMONE
August 2021  (Fathers & Sons)
June 2021 (Vaxx)
November 2021 (Vivi & Oscar)
April 2021 (Waiting)
August 2021 (Back to School)
March 2021 (School + Scarcity)
November 2020
School Hybrid I
School Hybrid II
January 2021, I
February 2021
December 2020
January 2021, II
Cat's Cradle
Jewel Box
Lexington
Greta & Bruno
Bodhi (Post Op) and Violet
Sunday Afternoon
A Broken-Winged Bird  (after Langston Hughes)
December 2021 (Watching)
Church
Rock Garden At Palamidi Fortress
The Quality of Mercy
The Quality of Mercy
The Quality of Mercy, #1
The Quality of Mercy, #2
The Quality of Mercy, #3
The Quality of Mercy, #5
The Quality of Mercy #4
The Quality of Mercy, #6
Culture of Cruelty
Culture of Cruelty, #1
Culture of Cruelty, #2
Culture of Cruelty, # 3
Culture of Cruelty, # 4
Culture of Cruelty, #5
Grounding Down
Simhamukha and Rudra Mudras
Rudra  Mudra (for healing and energizing the body)
Simhamukha Mudra (for protection, to relieve suffering)
Buddhi Mudra
Prana Mudra
Buddhi Mudra  (to balance the water element in the body and improve mental clarity)
Prana Mudra (to activate dormant energy within the subtle body)
Gyan Mudra
Gyan Mudra (to direct energy and maintain focus), 2018
Gallery installation
Akash Mudra (to increase the element of space, or the cosmos, within the body).
Aakaksh Mudra
Gallery installation
Gallery installation
Tuareg Ceremonial Ring
Red Mosque
Mirage
Sa-Ta-Na-Ma
State of Play
A Roundabout Turn II
Heat
Palamidi Fortress
Roman Reverie
Close Of Day

2024, 9” h x 7” w, oil, graphite on Dura-Lar archival film

Pheasants' Crossing

2024, 14” h x 17” w, oil, acrylic on Dura-Lar archival film.

This is Block Island!

Our Corner

2024, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Back Door, Back Yard

2024, 24” h x 19” w, oil, acrylic, graphite on Dura-Lar archival film

Home For Now

2023, 14” h x 11” w, oil, acrylic, graphie on Yupo synthetic paper

Harbor Church

2024. 14” h x 11”w, oil, acrylic, graphite on Yupo synthetic paper

Island Crossing

2023, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Spent a week on Block Island last September, remembering that landscape, the light and color and that impossible puzzle!

Roma Norte II

2023, OIl, acrylic, graphite on Yupo synthetic paper.11” h x 14” w

View of Parque Espana from our apartment in Roma Norte, Mexico City.

Roma Norte I

2023, oil, acrylic graphite on Dura-Lar archival film, 17” h x 14”w

View of Parque Espana from our apartment in Roma Norte, Mexico City.

Across the Street and Back

2023, 11” h x 14”w, Oil, acrylic, graphite, on Yupo synthetic paper

Looking South

2023, 11” x 14” , oil, acrylic, graphite on Yupo synthetic paper

Isle Of Light

2023, oil, acrylic, graphite, ink on Dura-Lar archival film, 14” h x 17” w

This painting references our stay at Block Island last September. I tried something different: weaving tgeter two photos of outside view from upper bedroom including interior view of room. The light was spectacular!

Upstairs Out II

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Our Day's End

2023, 14” x 11”, oil, acrylic, graphite, ink on Yupo synthetic paper

Upstairs Out

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Looking North

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper

Lincoln Woods II

2023, 17” x 14”, oil, acrylic, ink, graphite on Dura-Lar archival film

Lincoln Woods I

2023, 17” x 14”, oil, acrylic, graphite, ink in Dura-Lar archival film

Summer Kitchen

2023, 17” h x 14” w, oil, acrylic on Dura-Lar archival film

The World Is Full Of Magic Things (after William Butler Yeats)

2022, 14” x 11”, oil, acrylic, graphite on Yupo paper

SUMMER

2022, 14” hX 11”w, oil, acrylic, graphite on Yupo paper

I Would Be Ignorant As The Dawn (after William Butler Yeats)

2022, 17”h x 14” w, oil, acrylic, graphite on Dura-Lar archival film

Dawn II

2022, 17” x 14” , oil, acrylic, graphite on Dura-Lar archival film

Dawn I

2022, 14” x 11”, oil, acrylic, graphite on Yupo

Violet

2022, 11” h x 14” w, oil, acrylic on Yupo paper

Chimera

2023, 10” x 8”, oil, acrylic , graphite on Dura-Lar archival film

Morning

2022, 14” h x 17” w, oil, acrylic, graphite on Dura-Lar

View from my front door in the rain.

Old Harbor

2023, 10” x 8”, acrylic on Dura-Lar archival film

Stopping On Corn Neck Road

2023, 10” x 8”x oil, acrylic, graphite on Yupo

Self Reflecion

2022, 14” h x 11” w, oil, acrylic, graphite on Yupo paper

Mother & Child I

2022, oil, acrylic, graphite on Dura Lar archival film, 17” h x 14” w

Women and children, victims of war in Ukraine

Mother & Child III (Diptych)

2022, oil, acrylic, graphite on Dura Lar archival film, 14” h x 17” w

Women and children, victims of war in Ukraine

Mother & Child IV

2022, 14” h x 17”w, oil, acrylic, graphite on Dura Lar archival film

A series about mothers and their children - victims of war. Here, a family who fled the Democratic Republic of Congo, lived twelve years in Malawi’s Dzaleka refugee camp. Now residing in Hartford.

Mother & Child II

2022, 14” x 11”, oil, acrylic, graphite on Dura Lar archival film

Women and children, victims of war in Ukraine. A mother and her newborn in a ravaged maternity ward.

Cobalt II

2023, 14” h x 11” w, oil, acrylic, graphite, ink on Yupo synthetic paper.

This painting is part of a series about children mining for cobalt and other precious metals in the Democratic Republic of Congo.

Cobalt I

2023, 14”h x 11”w, oil, acrylic, graphite on Yupo synthetic paper.

This painting is part of a series about children mining for cobalt and other precious metals in the Democratic Republic of Congo.

For The Women Of Iran

2022, 14” x 17”, oil, acrylic, graphite on Dura-Lar archival film

Eyasu + Daniel

2022, 14”x 11”, oil, acrylic, graphite on Yupo

“My Heart Bleeds With You Ukraine"

2022, 14” h x 17” w, oil, acrylic on Dura-Lar

Some of the symbols that are part of the Ukrainian culture: wheat stocks, Cossacks, cranes, and guelder rose "kalyna”.

I included the figure of Cossack Mamay an image of freedom, stability and immortality of the Ukrainian people.

Religion and churches are a big part of Ukrainian cultural life.

Pictured here is the Cathedral of St. Volodymer which is in the center of Kiev. I chose it in honor of President Volodymer Zelensky.

The World Was Not Worthy Of Them (from the Epistle of Saint Paul to the Hebrews CH 11:38)

2022, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

Private Collection

Isn't It A Pity

2021, 17” h x 14” w, 17” x 14”

Oil, acrylic, graphite on Dura-Lar archival film

Arrival

2021, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

August 31, 2021 ("history has its eyes on us" - Amanda Gorman)

2021, 14” h x 17” w, acrylic, graphite on Dura-Lar archival film

May 2021 ('The Loss We Carry' - Amanda Gorman)

2021, 14” h x 17” w, acrylic, graphite, pen on Dura-Lar archival film

OLEAN STREET

2021, 14” X 17”, acrylic, graphite on Dura-Lar archival film

1960 (Olivia + Megan)

2021, 14” h, x14” w, acrylic, graphite on Dura-Lar archival film

Count Every Vote

2022, 14’h x 17”w, oil, acrylic, graphite on Dura-Lar archival film

Showing Up

2023, 14” x 17”, oil, acrylic on Dura-Lar archival film

October 2021

2021, 14” h x 17” w, oil, acrylic on Dura-Lar archival film

July 2021, (The Ballot)

2021, 17”h x 14”w, acrylic, graphite on Dura-Lar archival film

JULY

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

October 2020 (Fear and Loathing)

2020, 25” h x 38” w, acrylic, graphite on Yupo archival film

SIMONE

2021, 11” h x 14” , oil, acrylic, graphite on Yupo

August 2021 (Fathers & Sons)

2021, 17” h x14” w, acrylic, graphite on Dura-Lar archival film

June 2021 (Vaxx)

2021, 14” h x 17” w, acrylic, graphite, pen on Dura-Lar archival film

November 2021 (Vivi & Oscar)

2021, 14” h x 17” w, Oil, acrylic on Dura-Lar archival film

April 2021 (Waiting)

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

August 2021 (Back to School)

2021, 14” h x 17” w, acrylic, graphite on Dura-Lar archival film

March 2021 (School + Scarcity)

2021, 17” h x 14” w, acrylic, graphite on Dura-Lar archival film

November 2020

2020, 36”h x 25”w, acrylic, graphite on Yupo archival film

School Hybrid I

2021; 22”h x 15” w; watercolor, graphite, pen on watercolor paper

School Hybrid II

2021, 22” h x 15” w; watercolor, graphite, pen on watercolor paper

January 2021, I

2021, 13” h x 17” w, acrylic, pen on Dura-Lar archival film

Private Collection

February 2021

2021, 17” x 13”, acrylic, pen on Dura-Lar archival film

December 2020

2020, 13” h x 17”w, acrylic, pen on Dura-Lar archival film

January 2021, II

2021, 17” h x 13.4” w, acrylic, pen, graphite on Dura-Lar archival film

Cat's Cradle

2022, 11” h x 14” w, Oil, acrylic on Yupo paper

Jewel Box

2022, 11” h x 14” w, oil, acrylic on Yupo

Lexington

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Greta & Bruno

2022, 17” x 14”, oil, acrylic on Dura-Lar archival film

Bodhi (Post Op) and Violet

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Sunday Afternoon

2022. 14” h x 17”w, oil, acrylic graphite on Dura-Lar archival film

A Broken-Winged Bird (after Langston Hughes)

2021, 14” x 17”, oil on Dura-Lar archival film

December 2021 (Watching)

2021, oil, acrylic on Dura-Lar archival film, 17” h x 14”w

Church

2022, 14” h x 11” w, oil, acrylic on Yupo paper

Rock Garden At Palamidi Fortress

2019-2021, 14” h x 11” w, acrylic, graphite on Yupo paper

The Quality of Mercy

2020, studio. view, 72”h x 144” w x 66” d, acrylic, pen on Dura- Lar polymer film

The Quality of Mercy

2020, studio view

The Quality of Mercy, #1

2020, 50” h x 50”w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #2

2020, 31” h x 62”w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #3

2020, 35” h x 49” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #5

2020, 50” h x 34” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy #4

2020, 27” h x 39” w, acrylic, pen on Dura-Lar archival film

The Quality of Mercy, #6

2020, 27” h x 40” w, acrylic , pen on Dura-Lar archival film

Culture of Cruelty

2019-20, studio view, 55” h x 74” w x 60” d, acrylic on Dura-Lar archival film

Culture of Cruelty, #1

2019, 32” h x 49” w, acrylic on Dura-Lar archival film

Culture of Cruelty, #2

2019, 50” h x 50” w, acrylic on Dura Lar archival film

Culture of Cruelty, # 3

2020, 40” h x 40” w, acrylic on Dura Lar archival film

Culture of Cruelty, # 4

2020, 40” h x 50” w, acrylic on Dura Lararchival film

Culture of Cruelty, #5

2020, 45” h x 55” w, acrylic on Dura Lar archival film

Grounding Down

2019, 61” h x 45” w; acrylic, crayon on Dura-Lar archival film

Simhamukha and Rudra Mudras

2018, installation at Five Points Gallery

Rudra Mudra (for healing and energizing the body)

2018, acrylic, crayon on Dura-Lar,archival film, 74” h x 40” w

Simhamukha Mudra (for protection, to relieve suffering)

2018, acrylic, crayon on Dura-Lar archival film, 74” h x 40” w

Buddhi Mudra

2018, installation five Points Gallery

Prana Mudra

2018, installation five Points Gallery

Buddhi Mudra (to balance the water element in the body and improve mental clarity)

2018, 76” h x 40” w, acrylic, crayon on Dura-Lar archival film

Prana Mudra (to activate dormant energy within the subtle body)

2018, acrylic, crayon on Dura-Lar archival film, 70” h x 40” w

Gyan Mudra

2018, installation five Points Gallery

Gyan Mudra (to direct energy and maintain focus), 2018

2018, acrylic, crayon on Dura-Lar archival film, 74” h x 40” w

Private Collection

Gallery installation

Detail, Five Points Gallery

Akash Mudra (to increase the element of space, or the cosmos, within the body).

2018, acrylic, crayon on Dura-Lar archival film, 70” h x 40” w

Aakaksh Mudra

2018, Installation five Points Gallery

Gallery installation

Detail

Gallery installation

Detail

Tuareg Ceremonial Ring

2015, acrylic, crayon on acetate, 48" h x 42" w

Red Mosque

2017, encaustic , collage, on board, 12” h x 12” w x 1” d

Mirage

2019, studio installation, 9’ h x 6’w, gesso, crayon on acetate

Sa-Ta-Na-Ma

2018, encaustic on board, 12”h x 12”w x 1”d

State of Play

2016, encaustic on board, 10” h x 10” w x 1”d

A Roundabout Turn II

2014, collage, acrylic on board, 12” h x 12” w x 1” d

Heat

2015, acrylic, collage on board, 12”h x 12”w x 1"d

Palamidi Fortress

2019, acrylic, graphite on Yupo, 14” x 11”

Private Collection

Roman Reverie

2019, acrylic, graphite on Yupo, 11” x 14”

show thumbnails